Piano Transcription in the 19th century Europe Essay

Piano Transcription in the 19th century atomic number 63 - Essay Example angiotensin-converting enzyme day, when I studied Beethovens several symphonies in my high school harmony textbook, I thought that the compose made several mistakes in his book. The most prominent mistake he made was the key in the symphony. He said Beethovens 5th symphony (1st mvt) was in key of C minor, which was non exactly like key I played before. At that time, I was very confused with what the author thought and my cushy version of Beethoven.However, many scholars/ musicologists brook discussed that lenient transcription gave a sense of original master industrial plant to amateurs, children and female players at their private home since the nineteenth century. Comparing to the previous century, the nineteenth century atomic number 63 was the place where piano music developed actively, for examples, music publications including piano transcription/reduction, music lessons, and piano productions. In the late eighteenth century, especially, piano became more than affordable price for middle (working class) so that they could have more opportunities to familiar with masterwork in their home. Following this trend, they also spent money on getting two hands, quadruplet hands or two pianos transcription of masters orchestral, choral and opera to perform. Since they could have know music the speed class members solely enjoyed in the eighteenth century through the piano transcriptions/ reduction, scholars have seen only advantages of them. Of course, it seems darling but through my childhood experience, I have a totally different view of piano transcription/reductions. Myself as a professional pianist and musicologist now, I will argue that classical music authenticity (originality) was misrepresented by piano transcriptions whose main consumers were the middle-class in nineteenth century Europe in this thesis. **************************************************************2. HISTO RY of 19th century Europe i.e, who was the member of middle classThe industrialization was emerged in the nineteenth century, and it particularly influenced on growth of sheet music. Jon W. Finson says, Rotary steam presses could print much more music than had presses had, and better transportation could speed the greater supplies of printed music to a wider audience. Hand written sheet music could not support music consumer in Europe so that rotary stream was a breakthrough to spreading out to every corners of Europe. Remember that there were no radios, recording machine or TV in the nineteenth century. The only access to music was going to the concert halls, which require high price tickets. Moreover, only most major cities offered public concerts so that people in small town did not have chance to have musical life. Similar to the past, concert halls in modern life also be lots of money however, we do not have any problems to enjoy music in hurt of the development of technolog ies such as radios, musical websites, and TV. Even some concert halls provide people to